{"id":29651,"date":"2022-07-27T09:28:23","date_gmt":"2022-07-27T07:28:23","guid":{"rendered":"https:\/\/bonsard.com\/fables\/"},"modified":"2022-09-16T07:59:26","modified_gmt":"2022-09-16T05:59:26","slug":"fables","status":"publish","type":"page","link":"https:\/\/bonsard.com\/en\/fables\/","title":{"rendered":"FABLES"},"content":{"rendered":"

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border_style=”solid” global_colors_info=”{}”]<\/p>\n

FABLES<\/h1>\n

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SIMONIDE calls painting a silent poetry, and poetry a speaking painting. In fact, the actions that Herv\u00e9 BONSARD represents as if they were taking place, the literary works tell and expose them once they have finished. And although Herv\u00e9 BONSARD uses light and shape when Jean de La Fontaine uses words and sentences to represent the same subjects, these differences in the material and the imitation processes chosen do not prevent them from reaching the same goal.<\/p>\n

Herv\u00e9 BONSARD\u2019s work offers a range of paintings which show and emphasise the tremendous richness of these unique fables, which form a huge part of our heritage. Collectors can order a Jean de La Fontaine fable which will remain exclusive.<\/p>\n

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CONTACT<\/a><\/p>\n

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Among the many artists who have illustrated the La Fontaine Fables – from Jean-Baptiste Oudry and Fragonard to Gustave Dor\u00e9, not forgetting Grandville and Benjamin Rabier – Herv\u00e9 BONSARD’s version has a certain durability, because this artist knows how to interpret a style greatly and brilliantly inspired by Baroque paintings.<\/p>\n

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Nothing could be more appropriate to enrich the genius of Herv\u00e9 BONSARD and to exercise his particular talents, than La Fontaine\u2019s Fables. The stories, the variety of subjects, the different scenes set by the Poet open a vast field of opportunities for the painter. He has also captured everywhere the spirit and the genius of La Fontaine. Like him, he made the Animals speak in his paintings, and in their attitude, their character, their expressions, the same passion shows.<\/p>\n

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The supernatural in Herv\u00e9 BONSARD\u2019s paintings is not just a clich\u00e9, it doesn\u2019t seek fantasy above or beyond reality, but right at the heart of it: for Herv\u00e9 BONSARD fantasy is an excess of reality.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/bonsard.com\/wp-content\/uploads\/2022\/07\/FABLE-D–scaled.jpg” alt=”bonsard fables peintre baroque” align=”center” force_fullwidth=”on” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Image” _builder_version=”4.17.4″ animation_style=”slide” animation_direction=”right” animation_duration=”500ms” animation_intensity_slide=”10%” use_border_color=”off” border_color=”#ffffff” border_width=”1px” border_style=”solid” animation=”right” sticky=”off” always_center_on_mobile=”on” global_colors_info=”{}”] [\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”100%” width_tablet=”100%” width_phone=”100%” width_last_edited=”on|desktop” max_width=”100%” max_width_tablet=”100%” max_width_phone=”100%” max_width_last_edited=”on|desktop” custom_margin=”|||” custom_padding=”0px|0px|0px|0px” make_fullwidth=”on” use_custom_width=”off” width_unit=”off” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”0px | | 0px |” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/bonsard.com\/wp-content\/uploads\/2022\/07\/FABLE-E-scaled.jpg” alt=”bonsard fables peintre baroque” force_fullwidth=”on” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Image” _builder_version=”4.17.4″ animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” use_border_color=”off” border_color=”#ffffff” border_width=”1px” border_style=”solid” sticky=”off” always_center_on_mobile=”on” global_colors_info=”{}”] [\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=” | | |” custom_padding_tablet=” | | |” custom_padding_phone=” | | |” custom_padding_last_edited=”on|desktop” global_colors_info=”{}” padding_last_edited=”on|desktop” custom_padding__hover=”|||”][et_pb_text admin_label=”Texte” _builder_version=”4.17.4″ text_line_height=”1.5em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”|||” custom_padding=”90px|130px|90px|130px” custom_padding_tablet=”90px|100px|90px|100px” custom_padding_phone=”90px|40px|90px|40px” custom_padding_last_edited=”on|tablet” use_border_color=”off” border_style=”solid” global_colors_info=”{}”]<\/p>\n

\u00ab\u00a0Herv\u00e9 BONSARD works on the narrative, dramatizing scenes and situations, endowing the animal characters with greater complexity, constantly playing on their relationship with humans, and appropriating the baroque painting, in order to transform it. This is how he founded a new aesthetic of the apologue, which, although it is based on experiments already made, is nonetheless a profoundly original artistic event <\/em>\u00bb.<\/p>\n

L.KING<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”100%” width_tablet=”100%” width_phone=”100%” width_last_edited=”on|desktop” max_width=”100%” max_width_tablet=”100%” max_width_phone=”100%” max_width_last_edited=”on|desktop” custom_padding=”0px|0px|0px|0px” make_fullwidth=”on” use_custom_width=”off” width_unit=”off” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texte” _builder_version=”4.17.4″ text_line_height=”1.5em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”90px|130px|90px|130px” custom_padding_tablet=”0px|100px|90px|100px” custom_padding_phone=”0px|40px|90px|40px” custom_padding_last_edited=”on|phone” use_border_color=”off” border_style=”solid” global_colors_info=”{}”]<\/p>\n

\u00ab The Fables of La Fontaine painted by Herv\u00e9 BONSARD are a timeless work of art, part of our cultural heritage; an artistic treasure that relies on know-how and techniques more than 400 years old, which still revive elusive emotions in us, young or old<\/em> \u00bb<\/p>\n

C.COREA<\/p>\n

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\u00ab Naked morality brings boredom; in these kinds of stories it is necessary to instruct and please. We need a place to share with common, cultural, emotional, intellectual and imaginative references”. Herv\u00e9 BONSARD’s paintings tick all these boxes, relate to everyone and appeal to all audiences <\/em>\u00bb.<\/p>\n

H.VERNES<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”100%” width_tablet=”100%” width_phone=”100%” width_last_edited=”on|desktop” max_width=”100%” max_width_tablet=”100%” max_width_phone=”100%” max_width_last_edited=”on|desktop” custom_padding=”0px|0px|0px|0px” make_fullwidth=”on” use_custom_width=”off” width_unit=”off” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texte” _builder_version=”4.18.0″ text_line_height=”1.5em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”90px|130px|90px|130px” custom_padding_tablet=”0px|100px|90px|100px” custom_padding_phone=”0px|40px|90px|40px” custom_padding_last_edited=”on|phone” use_border_color=”off” border_style=”solid” global_colors_info=”{}”]<\/p>\n

\u00ab<\/em>Herv\u00e9 BONSARD\u2019s paintings make a very subtle visual statement about the relationship between art and nature. The art of the writer, just like this painter\u2019s, can be summarized visually with a theatrical likeness.\u00bb<\/p>\n

W.SMITH<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/bonsard.com\/wp-content\/uploads\/2022\/07\/FABLE-H-scaled.jpg” alt=”bonsard fables peintre baroque” align=”center” force_fullwidth=”on” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Image” _builder_version=”4.17.4″ animation_style=”slide” animation_direction=”right” animation_duration=”500ms” animation_intensity_slide=”10%” use_border_color=”off” border_color=”#ffffff” border_width=”1px” border_style=”solid” animation=”right” sticky=”off” always_center_on_mobile=”on” global_colors_info=”{}”] [\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”100%” width_tablet=”100%” width_phone=”100%” width_last_edited=”on|desktop” max_width=”100%” max_width_tablet=”100%” max_width_phone=”100%” max_width_last_edited=”on|desktop” custom_margin=”|||” custom_padding=”0px|0px|0px|0px” make_fullwidth=”on” use_custom_width=”off” width_unit=”off” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”0px | | 0px |” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/bonsard.com\/wp-content\/uploads\/2022\/07\/FABLE-I-scaled.jpg” alt=”bonsard fables peintre baroque” force_fullwidth=”on” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Image” _builder_version=”4.17.4″ animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” use_border_color=”off” border_color=”#ffffff” border_width=”1px” border_style=”solid” sticky=”off” always_center_on_mobile=”on” global_colors_info=”{}”] [\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=” | | |” custom_padding_tablet=” | | |” custom_padding_phone=” | | |” custom_padding_last_edited=”on|desktop” global_colors_info=”{}” padding_last_edited=”on|desktop” custom_padding__hover=”|||”][et_pb_text admin_label=”Texte” _builder_version=”4.17.4″ text_line_height=”1.5em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”|||” custom_padding=”90px|130px|90px|130px” custom_padding_tablet=”90px|100px|90px|100px” custom_padding_phone=”90px|40px|90px|40px” custom_padding_last_edited=”on|tablet” use_border_color=”off” border_style=”solid” global_colors_info=”{}”]<\/p>\n

\u00ab\u00a0While illustrators have insisted on the moral aspect of the La Fontaine Fables, Herv\u00e9 BONSARD, by a total reversal of values, places the aesthetic success of the image before the need to teach a lesson. He modifies the traditional balance of the illustrations which put the fable first, and detaches the image from the tradition which had confined it to the allegory and morals<\/em> \u00bb.<\/p>\n

S.BUSSOTTI<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ admin_label=”row” module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”100%” width_tablet=”100%” width_phone=”100%” width_last_edited=”on|desktop” max_width=”100%” max_width_tablet=”100%” max_width_phone=”100%” max_width_last_edited=”on|desktop” custom_padding=”0px|0px|0px|0px” make_fullwidth=”on” use_custom_width=”off” width_unit=”off” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Texte” _builder_version=”4.17.4″ text_line_height=”1.5em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”90px|130px|90px|130px” custom_padding_tablet=”0px|100px|90px|100px” custom_padding_phone=”0px|40px|90px|40px” custom_padding_last_edited=”on|phone” use_border_color=”off” border_style=”solid” global_colors_info=”{}”]<\/p>\n

\u00ab Herv\u00e9 BONSARD – by producing paintings on the Fables of La Fontaine – is part of a tradition that also implies the opposite: how to renew interest in fables whose subject has been known for so long? He considered that he would do nothing if he could not bring in some new features to raise people\u2019s attraction to them<\/em> \u00bb.<\/p>\n

G.STRADA<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/bonsard.com\/wp-content\/uploads\/2022\/07\/FABLE-J-scaled.jpg” alt=”bonsard fables peintre baroque” align=”center” force_fullwidth=”on” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Image” _builder_version=”4.17.4″ animation_style=”slide” animation_direction=”right” animation_duration=”500ms” animation_intensity_slide=”10%” use_border_color=”off” border_color=”#ffffff” border_width=”1px” border_style=”solid” animation=”right” sticky=”off” always_center_on_mobile=”on” global_colors_info=”{}”] [\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

LINKS<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

https:\/\/poets.org\/glossary\/fable<\/a><\/p>\n

https:\/\/www.chateau-thierry.fr\/association\/societe-des-amis-de-jean-de-la-fontaine<\/a><\/p>\n

https:\/\/poetrysociety.org.uk\/<\/a><\/p>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

FABLES   SIMONIDE calls painting a silent poetry, and poetry a speaking painting. In fact, the actions that Herv\u00e9 BONSARD represents as if they were taking place, the literary works tell and expose them once they have finished. 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